2007

Can You Show Me the Space
Past Exhibition
27 November 2007 – 9 February 2008

public works Can You Show Me the Space

A programme of presentations, mapping workshops, exhibition and publications, organised by the art/architecture collective public works, Stanley Picker Fellows in Design at the Faculty of Art, Design & Architecture, Kingston University. With contributions by: Agents of Change, Alex Warnock Smith, Anna Mansfield, atelier d’architecture autogéré, Can Altay, City Mine(d), Dorian Moore, drmm architects, Elizabeth Price, Can You Show Me the Space

Beyond Appearances: The Sculpture of Carl Plackman
Past Exhibition
18 September – 17 November 2007

Carl Plackman Beyond Appearances: The Sculpture of Carl Plackman

Carl Plackman

The first comprehensive retrospective of Carl Plackman’s work since his death in 2004, Beyond Appearances contains sculptures, installations and drawings created by Plackman from 1969 to 2004. His work explores the lives of everyday things through large, often architectural constructions that encompass photography, drawing and assembled objects. Carl Plackman was one of the most challenging Beyond Appearances: The Sculpture of Carl Plackman

Future Criticism
Past Exhibition
18 April – 5 May 2007

Gest Future Criticism

Gest Future Criticism (2007) installation view at Stanley Picker Gallery

An exhibition and publishing project that brought together philosophers, artists, theorists and critics in order to discuss new approaches to art writing, that took as its starting point the working hypothesis that criticism is a fundamental bridge between the theory and philosophy of art and art practice itself. Today,  criticism is widely perceived to be Future Criticism

The Dummy Project
Past Exhibition
15 – 31 March 2007

Cullinan Richards The Dummy Project

Cullinan & Richards Double Swiss Mannequins En Plein Air Sculpture Project 2004

For the Dummy Project show Cullinan Richards have set up a conceptual framework for an exhibition that contains several exhibitions, many geographies and pseudo histories. Using the gallery as a base camp for production and in association with several colleagues they have set up a resistance in the face of ridicule and collapse.