Artist’s Talk: Céline Condorelli in conversation with Prem Krishnamurthy

Wednesday 22 November 2017

To mark the opening of Céline Condorelli’s solo exhibition, Prologue, which forms part of P!CKER, curated by Stanley Picker Gallery with Prem Krishnamurthy / P!, Condorelli is in conversation with Krishnamurthy discussing Herbert Bayer’s legacy and P!’s own institutional story.

Céline Condorelli is an artist based in London. Recent exhibitions include Proposals for a Qualitative Society (Spinning), Stroom Den Haag, NL, Corps á Corps, IMA Brisbane, Australia in 2017; 11th Gwangju Biennale, Liverpool Biennial 2016, 20th Biennale of Sydney, and Concrete Distractions, Kunsthalle Lissabon in 2016; bau bau, HangarBicocca, Milan in 2015; as well as Céline Condorelli, Chisenhale Gallery, London, Positions, Van Abbemuseum, Eindhoven, and the publication The Company She Keeps with Bookworks in 2014. Previous exhibitions include Puppet Show (various venues, 2014), Additionals, Project Art Centre, Dublin, as well as exhibitions at venues ranging from the Grazer Kunstverein, Hessel Museum, Castello di Rivoli, SALT Istanbul, LUMA Arles, and others. She is currently Professor at NABA (Nuova Accademia di Belle Arti) Milan, and one of the founding directors of Eastside Projects, Birmingham, UK, as well as the author and editor of Support Structures, published by Sternberg Press (2009/2014).

Prem Krishnamurthy is a Founding Principal of design studio Project Projects, recipient of the Cooper Hewitt’s 2015 National Design Award for Communication Design, the USA’s highest recognition in the field. From 2012–2017, Prem established and led the experimental gallery P! in New York City’s Chinatown, while also curating exhibitions andprograms at Para Site (Hong Kong), SALT (Istanbul), and the Austrian Cultural Forum New York. Recent books as co-editor include Speculation, Now and Draw It With Your Eyes Closed: The Art of the Art Assignment. He has taught and lectured in art and designprograms, non-profit spaces, museums, and universities worldwide, and is on faculty at the Bard Center for Curatorial Studies and Barnard College.