The Stanley Picker Gallery is launching a new series of Online Salons to facilitate exchange and dialogue between the creative community around the Gallery.
With COVID-19 changing how we operate as a cultural venue, our digital platforms have become ever more vital as ways of engaging with each other and with our audiences. We hope these gatherings will enhance our role as an “expanded studio”, where creative work is shared during its production, by inviting practitioners to gather online to share their working practice in an informal manner.
The first Online Salon features three of our current of Stanley Picker Fellows, Larry Achiampong, Maeve Brennan and Erika Tan, who will be in conversation with each other about their Fellowship projects and how COVID-19 has impacted their studio practices.
Register your attendance for free via eventbrite to receive a joining link on the day of the event.
Larry Achiampong is an artist whose solo and collaborative projects employ imagery, aural and visual archives, live performance and sound to explore ideas surrounding class, cross-cultural and post-digital identity. Achiampong is a 2018 Jarman Award-nominated artist and a 2019 Paul Hamlyn Award recipient (for Visual Arts) and has worked with major institutions on commissions, residencies and exhibitions with spaces including Tate Galleries, the Venice and Singapore Biennales, Somerset House and Transport for London.
Maeve Brennan is an artist based in London. Her practice explores the political and historical resonance of material and place. Working primarily with moving image and installation, she develops long-term investigations led by personal encounters. Brennan has recently had solo exhibitions at Wäinö Aaltonen Museum, Finland (2019); Jerwood Space, London; Mother’s Tankstation, Dublin (both 2018); The Whitworth, Manchester; Spike Island, Bristol and Chisenhale Gallery, London (all 2017). She was the recipient of the Jerwood/FVU Award 2018.
Erika Tan is an artist and curator whose work is primarily research-led and manifests itself in multiple formats such as moving image, publications, curatorial and participatory projects. Tan’s work has been exhibited, collected and commissioned internationally including: The Diaspora Pavilion, (Venice Biennale 2017); Artist and Empire (Tate Touring, National Gallery Singapore 2016/7); Come Cannibalise Us, Why Don’t You (NUS Museum, Singapore 2014); There Is No Road (LABoral, Spain 2010); Thermocline of Art (ZKM, Germany 2007); Around The World in Eighty Days (South London Gallery / ICA 2007); The Singapore Biennale (2006); Cities on the Move (Hayward Gallery, London). Recent curatorial projects include Sonic Soundings/Venice Trajectories.